Of the quintet of Western hits of 1939 that revitalized the genre, Dodge City is the most straightforward. It’s an action spectacle picture first and foremost. It’s the most accessible of the five for twenty-first-century audiences—after Stagecoach, of course, which is flat-out one of the greatest films ever made and therefore accessible.
Dodge City takes a basic view of the taming of the West, where civilization manifests as the railroad and a gun-wielding Errol Flynn flashing a killer smile. It’s a big glob of Old Hollywood glory, with the bonus of gorgeous early three-strip Technicolor images filling the screen. And I mean gorgeous. If you get nothing else out of this post, at least know that Dodge City is one of the finest-looking things ever placed onto celluloid. It’s not quite Barry Lyndon, but it’s still something to behold.Continue reading “Westerns ‘39: Dodge City”