The Good Intentions and Failures of Exorcist II: The Hereticu


Happy October! I’m resurrecting horror movie articles from my old blog and revamping them. This article is reworked from a 2013 post.

John Boorman has directed a number of classics, including three personal favorites: Point Blank (1967), Deliverance (1972), and Excalibur (1981). But lying like an oily stain in the middle of his career is the 1977 box-office disaster and audience-loathed sequel, Exorcist II: The Heretic.

It’s not universally loathed. Martin Scorsese has expressed admiration for the film: “I like the first Exorcist, because of the Catholic guilt I have, and because it scared the hell out of me; but The Heretic surpasses it. Maybe Boorman failed to execute the material, but the movie still deserved better than it got.” Genre critic and historian Kim Newman acknowledges the film isn’t a success but that it does manage to be interesting.

I lead toward Newman’s perspective. Exorcist II: The Heretic contains fascinating ideas, wonderful visual moments, and an excellent score. It’s also weirdly off-kilter, unevenly acted and scripted, and edited on a bad glue-sniffing trip. It’s no surprise audiences in 1977 laughed it off the screen.

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