Night of the Lepus, The Killer Bunny Flick

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Happy October! I’m resurrecting horror movie articles from my old blog and revamping them. This article is reworked from a 2011 post, and it seemed appropriate since Red Letter Media
recently covered this movie on their “Best of the Worst” program.

I’ll disclose the Star Trek trivia for this movie up-front: Night of the Lepus stars both Paul Fix and DeForest Kelley. Paul Fix played the Enterprise’s Dr. Mark Piper in the second pilot for the original series, “Where No Man Has Gone Before,” and DeForest Kelley replaced him as Dr. Leonard “Bones” McCoy for the rest of the run. Two Enterprise doctors in one movie! And they share scenes together! And none of them are interesting!

I should love Night of the Lepus. I should adore it. But it won’t let me. It won’t let me laugh at it. It won’t let me admire it. It won’t entertain me on any level. A Western-set monster flick from the ‘70s about titantic flesh-eating rabbits failing to entertain me. I’m thankful Tremors exists, because it gives me the same movie—but good.

I lay many of the faults of Night of the Lepus, aka “The Giant Killer Bunnies Movie,” to when it was made. The timing for this type of picture was off. The movie falls between two eras when it might have made for a fun creature feature. If produced in the 1950s among the slew of rampaging giant mutant films, it would have had a solid cast of B-actors, handsome lab-coated scientists arguing with gun-happy military types, and perhaps some cool stop-motion animation effects. If produced in the late ‘70s, it would have been a nutty Jaws ripoff with loony hicks carrying too much firepower, a corrupt sheriff, an environmental scientist screaming about how they’ve got to stop these rabbits before they destroy the world, and a bloodthirsty hunter wanting to mount one of those humongous hares over his mantle.

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This Is Not the Black Cat Movie You’re Looking For

Black-Cat-1941-Crematorium

One of my favorite discoveries in my college library was the volume Universal Horrors: The Studio’s Classic Films, 1931–1946 by Tom Weaver, Michael Brunas, and John Brunas. The 1990 book was one of the first to look at the entire canon of Universal’s horror and mystery pictures from their Golden Age and treat them as something more than the “kiddie TV entertainment” they were once relegated to. I grew up watching these movies on weekend afternoons, but until Weaver et. al I knew little about the behind-the-scenes tales of their making.

I must’ve kept the book checked out of the college library for a straight year, constantly renewing it. It gave me a huge uptick in appreciation for classic horror and instilled in me a hunger to dig up the more obscure movies the authors covered. And they covered everything: The Sherlock Holmes movies; the Inner Sanctum mysteries; the supernatural comedy Ghost Catchers; films such as The Secret Key that only count as horror because a star like Boris Karloff appeared in them; historical epics with gruesome content, like Tower of London; plus obscurities The Mad Ghoul, House of Horrors, and the film I’m writing about today.

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Pass Those Runes, Please: Night of the Demon

Night-of-the-Demon-UK-Poster

Happy October! I’m resurrecting horror movie articles from my old blog and revamping them. This article is reworked from a 2008 post.

British Horror doesn’t begin with Hammer Film Productions, as much as it might seem to. The same year Hammer released their Gothic breakthrough, The Curse of Frankenstein, another influential UK horror film reached screens and helped ignite the British terror flood: Night of the Demon (released in the US in an edited version as Curse of the Demon).

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October Is Hammer Horror Country

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I belong to the class of people known as the “October Folk.” Our favorite month of the year is the tenth. It’s more than just a casual favorite—to us, the month feels more alive than others, the creative batteries are the most charged. It’s a social time but not a crowded time; an energetic period but not an exhausting one. It’s crisp, beautiful, and draped with the wonderful touch of the eerie we all need more of in our lives. Or at least the October Folk do.

Horror films are a major part of the celebration of October for us. But not any horror film will do. We each have special favorites that speak more of the season to us. For me, the special October seasoning comes from Hammer Film Productions, the British studio that from 1957 to 1976 crafted a special type of Gothic film. Hammer epitomizes the romanticized and fairy-tale terror that’s so pleasant to my palate this season.

Last year, I celebrated Hammer in October with weekly posts at Black Gate on different movies. Last year’s menu:

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