A Messy List of My 10 Favorite Hammer Horror Films

On October 29, 2020January 1, 2021 By Ryan HarveyIn movies

I’m not a fan of making Top 10 Lists because setting anything in stone—unless you’re a gorgon—is only asking for regrets later. Favorites are fluid, and personal tastes fluctuate. But readers like lists, as do search engines, so for my Happy Halloween post, I’ve put together a sloppy list of my favorite horror movies from Hammer Film Productions during their original years.

Hammer movies are my horror brand. They’re what I think Gothic horror should be. They’re my constant companions each October. And here are ten, listed alphabetically so I won’t get into fights with myself over ranking, that I think represent the best of the studio during its grand era.

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The Devil Rides Out: The Classic Hammer Movie

On October 5, 2020December 12, 2020 By Ryan HarveyIn movies

Now that I’ve examined Dennis Wheatley’s 1934 occult thriller The Devil Rides Out, I can get to the main event: the 1968 movie version, which is quintessential October viewing.

The Devil Rides Out is one of the best movies to come from the Hammer House of Horrors. It was not an enormous success on its first release, either in Great Britain or the US, where 20th Century Fox retitled it The Devil’s Bride out of concern that the original sounded like a Western. The movie’s reputation grew despite of—and possibly even because of—its antique and quaint approach to Satanic thrills, which dated the film from almost the moment it came out. The Devil Rides Out arrived before an onslaught of Satanic-themed horror movies hit theaters, such as The Exorcist and The Omen. Compared to them, the Hammer movie seems tame and quaint with its 1929 setting and fully clothed “orgies.”

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The Devil Rides Out: The Novel by Dennis Wheatley

On October 4, 2020October 5, 2020 By Ryan HarveyIn books

For me, October is “Hammer Country”—the season of watching Hammer Films’ Gothic horror classics from the 1950s–1970s. Since we finally have a North American Blu-ray release of The Devil Rides Out (1968), that’s the first film from their catalogue I want to examine this October.

But since The Devil Rides Out is based on a best-selling and influential novel, I’ll take a literary horror detour first and look at Dennis Wheatley’s 1934 thriller before moving on to the film.

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Hammer Country Concludes

On October 27, 2018December 12, 2020 By Ryan HarveyIn movies

4b995923e7f69e42f18609d7277c9770 — John Carson in *The Plague of the Zombies*

The end of another October crammed with articles about horror films from Britain’s great beast of the genre, Hammer Film Productions. Like last year, I did a Hammer horror-post-a week for Black Gate. This month’s selections:

Week One: The Phantom of the Opera (1962)
Week Two: Hands of the Ripper (1971)
Week Three: The Man Who Could Cheat Death (1959)
Week Four: The Plague of the Zombies (1966)

As I did last October, I mixed up the periods and the qualities of the movies and saved the best for the last slot: The Plague of the Zombies is underseen for such a great film in this horror subgenre. Thankfully, there’s a North American Blu-ray coming from Shout! Factory in January. Two of the films are from Terence Fisher, Hammer’s great horror practitioner, but The Phantom of the Opera and The Man Who Could Cheat Death are among his weakest. Apologies for that, Terence, but I did two of your best last year. Hands of the Ripper is, hands down, (sorry) my favorite of Hammer’s 1970s output. I think I’ve watched it every October since I bought the Blu-ray.

I’m not sure yet if I’ll do Hammer October again next year. I still haven’t run out of titles, but I may do the Hammer Frankenstein movies as an article series once I finish my John Carpenter retrospective, and that will more than fill up the Hammer bill for the year.