The Devil Rides Out: The Classic Hammer Movie

Now that I’ve examined Dennis Wheatley’s 1934 occult thriller The Devil Rides Out, I can get to the main event: the 1968 movie version, which is quintessential October viewing.

The Devil Rides Out is one of the best movies to come from the Hammer House of Horrors. It was not an enormous success on its first release, either in Great Britain or the US, where 20th Century Fox retitled it The Devil’s Bride out of concern that the original sounded like a Western. The movie’s reputation grew despite of—and possibly even because of—its antique and quaint approach to Satanic thrills, which dated the film from almost the moment it came out. The Devil Rides Out arrived before an onslaught of Satanic-themed horror movies hit theaters, such as The Exorcist and The Omen. Compared to them, the Hammer movie seems tame and quaint with its 1929 setting and fully clothed “orgies.” 

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My Thanksgiving Horror Picks: Ravenous and The Witch

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Poor Thanksgiving! Not only is it jammed awkwardly between two larger, more ornate holidays, both of which are chewing away at it from top and bottom, but it doesn’t have much in the way of a horror movie tradition. Halloween, of course, is wall-to-wall with horror goodies—it’s the only movie genre that has its own holiday!—and the winter seasonal horror film has developed into its own subgenre, offering everything from family friendly thrills (Gremlins) to gruesome slasher flicks (all those Silent Night, Deadly Night films; please note this is not a recommendation).

Thanksgiving is the official holiday for The Twilight Zone and Mystery Science Theater 3000, so it has that going for it. In fact, I’d prefer to drop the whole “Thanksgiving” business and think of the fourth Thursday in November as MST3K Day. Discard the turkey and family and football and replace it with pizza and the Satellite of Love. I’m not excited about turkey, too much family gets stressful, and I hate football.

But I do have two horror film picks that are good matches to the season. Once the kids are in bed, the adults can release pent up tensions and guilt about the holiday with The Witch (2015) and Ravenous (1999).

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The Pit and the Pendulum: You Need Vincent Price Each October

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Although Peter Cushing is my favorite horror movie actor—because Peter Cushing is my favorite actor, period—I bow to the popular wisdom that no performer better fits Halloween season than Mr. Vincent Price, whose elegance of evil combined with the reassurance of an old friend is the right flavor of fun n’ fright that marks the best of October.

When I first wrote about The Pit and the Pendulum, it was for the release of the first Vincent Price Blu-ray set. We’ve since had a second one, making it easier to indulge in the glories of Price during Halloween.

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Hammer Country Concludes

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John Carson in The Plague of the Zombies

The end of another October crammed with articles about horror films from Britain’s great beast of the genre, Hammer Film Productions. Like last year, I did a Hammer horror-post-a week for Black Gate. This month’s selections:

As I did last October, I mixed up the periods and the qualities of the movies and saved the best for the last slot: The Plague of the Zombies is underseen for such a great film in this horror subgenre. Thankfully, there’s a North American Blu-ray coming from Shout! Factory in January. Two of the films are from Terence Fisher, Hammer’s great horror practitioner, but The Phantom of the Opera and The Man Who Could Cheat Death are among his weakest. Apologies for that, Terence, but I did two of your best last year. Hands of the Ripper is, hands down, (sorry) my favorite of Hammer’s 1970s output. I think I’ve watched it every October since I bought the Blu-ray.

I’m not sure yet if I’ll do Hammer October again next year. I still haven’t run out of titles, but I may do the Hammer Frankenstein movies as an article series once I finish my John Carpenter retrospective, and that will more than fill up the Hammer bill for the year.

The Black Cat ‘34 Is the Black Cat Movie You’re Looking For

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I teased you with the movie version of The Black Cat that you weren’t looking for, the 1941 semi-comedy and barely entertaining one from Universal. But no teasing this time. Universal’s 1934 movie The Black Cat is a stone-cold, brutal classic of early horror cinema—and it features the first and best pairing of legends Boris Karloff and Bela Lugosi.

The first Universal horror cycle had already used Poe for material with a loose adaptation of Murders in the Rue Morgue in 1932, which starred Bela Lugosi as a mad doctor with a killer ape. Director Robert Florey, who was originally slated to helm Frankenstein (along with Lugosi as the monster), gave Murders in the Rue Morgue plenty of expressionist visual flair, but it’s only a tiny scratch compared what Austrian director Edgar G. Ulmer pulls off in The Black Cat.

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