This post discusses major plot points and the ending for the novel Phantom Lady.
Author Cornell Woolrich has often been on my mind this summer. He’s a poet for isolated times, a preacher of anxiety. He also had a potent influence on my writing and was one of the catalysts for the creation of Turn Over the Moon, but that’s a subject for later. After watching the movie version of Phantom Lady (1944) last week, Woolrich’s 1942 novel pulled me back for the first time in years. Although one of his best known books and an important icon in noir—the title itself conjures visions of classic film noir—it’s an odd work I’ve never embraced as fully as many of his other novels from the same period.
Phantom Lady first appeared under the title “Phantom Alibi” as a six-part serial in Detective Fiction Magazine for 1942. Lippincott published the hardcover in August, with Woolrich using the “William Irish” pseudonym for the first time. The book was an immediate success and Woolrich sold the movie rights to Universal in October. This set up “William Irish” to develop a parallel career to Cornell Woolrich as a top suspense writer, even though anyone who looked at the serial version and saw Woolrich’s name on it would’ve known what was up.Continue reading “Phantom Lady: The Novel”