Another VHS Cover Disappoints: The Nesting (1981)

The haunted house movie The Nesting reached a few screens in limited release in 1981. But then Warner Bros. Home Video picked it up for one of its famous clamshell case VHS releases and hung haunting artwork on the cover. Suddenly, The Nesting achieved fame—not as a movie people watched and remembered, but as a spectral and sexy image on video store shelves that entranced youngsters who either weren’t allowed to watch horror films or were too scared to watch them. 

Could a film like The Nesting live up to such evocative, moody artwork? Of course not. I didn’t need to watch the movie to discover this, but I did anyway because it was on Amazon Prime and I’m easy prey for haunted house films, even rotten ones. I was once one of those kids in the video store and I wanted answers from that cover.

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It! (1967): The Golem Movie That Time Forgot

What if Norman Bates gained control of the Power of God, and the British military had to use a nuclear warhead to stop him? You don’t have to imagine too hard, because it happened … in It!

Two decades before the novel It monopolized the neuter pronoun for horrordom, a British film starring Roddy McDowall and a giant raisin-textured statue tried to copy the style of Hammer’s Gothic horrors and the characterization of Psycho. It is as weirdly entertaining as it sounds, a deep-cut from the Anglo-horror cycle that deserves more attention than nothing at all, which is where it currently is. The film has also gone under the alternate titles Anger of the Golem and Curse of the Golem to make its central monster clearer. If only the filmmakers knew Stephen King would use a similar title years later, they could’ve stuck with one of those alternates and avoided search engine confusion. 

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First Kickstarter Stretch Goal: A Free Novella Sequel to Turn Over the Moon

Now that we’ve hit our first funding goal for in the Kickstarter for Turn Over the Moon, I can announce our first stretch goal: If we reach $1,500, backers will receive a free novella sequel to the novel next year, before it becomes available to the public.

This novella, which I’m currently developing, is part of the future publishing strategy for Ahn-Tarqa. The next novel I have planned doesn’t feature Belde or any of the other characters from Turn Over the Moon; it takes place on the other side of the continent in Najael (see the map above) and begins a parallel series to “The Saga of the Sorrowless” called “The Sorrow War.” The novella will let readers check in with Belde and her adventures during the gap between the novels in The Saga of the Sorrowless.

I can’t share anything more at this point except that the first Sorrow War novel is also underway with its story extensively planned out. I wish I could tell you the title of the novel and the novella, but final titles tend to come late in writing for me. (Turn Over the Moon had the working title of “Belde Novel” during the first draft.)

We’ve Hit Our First Funding Goal for the Turn Over the Moon Kickstarter!

I’m thrilled to announce that the Kickstarter campaign for Turn Over the Moon has reached its initial funding goal of $1,000—after only seven days! This is better than I could’ve hoped for, and I’m thankful to all of our backers for supporting us and our efforts to get my novel to the widest audience.

The Kickstarter will now receive funding on October 31 when the campaign ends, but we’re not done yet. Tomorrow, we’ll announce exciting new rewards as we aim toward reaching our stretch goals. The additional money we raise will go toward promotion for the book after it’s published.

Thanks again to our backers, and please keep spreading the word.

The Devil Rides Out: The Classic Hammer Movie

Now that I’ve examined Dennis Wheatley’s 1934 occult thriller The Devil Rides Out, I can get to the main event: the 1968 movie version, which is quintessential October viewing.

The Devil Rides Out is one of the best movies to come from the Hammer House of Horrors. It was not an enormous success on its first release, either in Great Britain or the US, where 20th Century Fox retitled it The Devil’s Bride out of concern that the original sounded like a Western. The movie’s reputation grew despite of—and possibly even because of—its antique and quaint approach to Satanic thrills, which dated the film from almost the moment it came out. The Devil Rides Out arrived before an onslaught of Satanic-themed horror movies hit theaters, such as The Exorcist and The Omen. Compared to them, the Hammer movie seems tame and quaint with its 1929 setting and fully clothed “orgies.” 

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