A Cornell Woolrich Collection: After-Dinner Story (1944)

Much of Cornell Woolrich’s best suspense writing comes from his deep well of short stories and novellas. Numerous collections were published during his lifetime, most using the William Irish pseudonym, even though the stories first appeared in magazines under Woolrich’s name.

One of the most successful of these collections is After-Dinner Story, published by Lippincott in October 1944 when Woolrich’s popularity was rising because of the success of Phantom Lady. It went through numerous paperback editions after the initial hardcover release, sometimes with the alternate title Six Times Death. It was included in Lippincott’s 1960 hardcover omnibus The Best of William Irish along with Phantom Lady and Deadline at Dawn.

After-Dinner Story contains six stories, one never previously published: the title story (Black Mask, January 1938), “The Night Reveals” (Story, April 1936), “An Apple a Day” (first publication), “Marihuana” (Detective Fiction Weekly, 3 May 1941), “Murder Story” (Detective Fiction Weekly, 11 September 1937), and the first appearance of the story originally published as “It Had to Be Murder” (Dime Detective, February 1942) under its forever title “Rear Window.” Yes, that one.

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Remembering Charles R. Saunders—Imaro: The Trail of Bohu

This afternoon I learned of the death of Charles R. Saunders, the amazing sword-and-sorcery author who helped open up the fantasy adventure genre to Black heroes thanks to his series of stories about his characters Imaro and Dossouye. Saunders was 74 years old, and that’s still too young for such a tremendous talent. Like Black Panther’s Chadwick Boseman, another tragic death that hit us this week, Saunders was a vital figure in the creation of the modern Black superhero. (Edit: It appears Saunders died in May, but it only became public now.)

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Noir at Its Zenith: Criss Cross (1949)

The big studio film noir hit its peak during the final years of the ‘40s. What had started slowly at the beginning of the decade and burst open in 1944 became feverish and brilliant during 1947–49. Few films represent this zenith better than 1949’s Criss Cross, a personal noir favorite. 

Criss Cross is one of the most noirish film noirs ever to noir. It’s as essential as Double Indemnity (1944) and Out of the Past (1947). It’s the best movie from director Robert Siodmak, who helped usher in the grand age of film noir with Phantom Lady (1944) and The Killers (1946). All three films, by the way, are currently streaming on Criterion Channel as a Siodmak noir trilogy. 

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Phantom Lady: The Novel

This post discusses major plot points and the ending for the novel Phantom Lady

Author Cornell Woolrich has often been on my mind this summer. He’s a poet for isolated times, a preacher of anxiety. He also had a potent influence on my writing and was one of the catalysts for the creation of Turn Over the Moon, but that’s a subject for later. After watching the movie version of Phantom Lady (1944) last week, Woolrich’s 1942 novel pulled me back for the first time in years. Although one of his best known books and an important icon in noir—the title itself conjures visions of classic film noir—it’s an odd work I’ve never embraced as fully as many of his other novels from the same period.

Phantom Lady first appeared under the title “Phantom Alibi” as a six-part serial in Detective Fiction Magazine for 1942. Lippincott published the hardcover in August, with Woolrich using the “William Irish” pseudonym for the first time. The book was an immediate success and Woolrich sold the movie rights to Universal in October. This set up “William Irish” to develop a parallel career to Cornell Woolrich as a top suspense writer, even though anyone who looked at the serial version and saw Woolrich’s name on it would’ve known what was up.

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Could You Spare Some Money for an Improv Theater?

The current plan for the release of Turn Over the Moon is to have the book out in November, with a Kickstarter during October for people to pre-order both print and ebook copies, as well as extras like signed copies, other books from Dream Tower Media, and prints of the cover illustration. The Kickstarter isn’t a charity: it’s how we’re offering Turn Over the Moon pre-orders.

But I’m going to ask for a bit of charity now anyway; not for me directly. It’s for a local theater here in Costa Mesa, the Improv Collective, which has a started a Patreon account to raise money to pay the rent through the remainder of the novel coronavirus pandemic.

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